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UID:63356237-3463-4561-a334-643239323166
DTSTAMP:20260923T092650Z
CATEGORIES:Ulysses_eng
CLASS:PUBLIC
DESCRIPTION;ALTREP="CID:<FFFF__=0ABBE548DFE235B58f9e8a93d@coffeebean.com>":
 GESTURES/SITUATIONS: LISTENING WITHOUT A SCORE: is a series of short artis
 tic actions. In the upcoming season there will be four GESTURES/SITUATIONS
  at the Estonian Contemporary Music Centre. Each GESTURE/SITUATION unfolds
  over ten days and culminates in a public gesture.\n \nGESTURES/SITUATIONS
 : LISTENING WITHOUT A SCORE series stems from a desire to make sense of th
 e present moment and its needs\, while shifting the focus of current gestu
 re format into the context of the music community. Therefore Estonian Cont
 emporary Music Center invites two different professional creators involved
  in musical composition and/or interpretation into their venue and gives t
 hem free rein. As a new component of GESTURES/SITUATIONS format\, a third 
 artist from another artistic practice or field is also invited\, bringing 
 a different set of experiences\, physicality\, or sense of space to the pr
 ocess. They are all supported by dramaturge Alissa Šnaider. Participating 
 composers and performing arts artists in the upcoming events are: Marianna
  Liik\, Liisa Hõbepappel\, Artjom Astrov\, Kenn-Eerik Kannike\, Liis Vares
  ja Maryn-Liis Rüütelmaa. \n \nGESTURES/SITUATIONS is not a collaborative 
 format but a situation of risk.\nIt creates situations in which sound is n
 ot composed\, but occurs as a consequence of bodies attempting to coordina
 te without agreement.\n \nC H O R E O G R A P H Y O F T H R E S H O L D\nG
 ESTURES/SITUATIONS: LISTENING WITHOUT A SCORE\n \nWhat happens to sound wh
 en there is nothing left to protect it?\n \nGESTURES/SITUATIONS: LISTENING
  WITHOUT A SCORE proposes a problem rather than a format.\nIt stages situa
 tions in which sound is not composed\, but occurs as a consequence of bodi
 es attempting to coordinate without agreement.\n \nThere is no score\, no 
 shared language\, and no obligation to produce a  work.\nThe project is st
 ructured around a minimal constellation of three participants and a set of
  gestures that function as operators of transition.\n \nThese gestures can
 not be repeated or optimized\; they mark thresholds rather than actions.\n
 Listening is treated as a condition\, not a skill.\nDelay\, misunderstandi
 ng\, fatigue\, and silence are not interruptions but structural elements t
 hat organize the field.\n \nThe situation is initiated and then allowed to
  unfold autonomously.\nWhat is choreographed is not sound or movement\, bu
 t the instability of coordination itself.\nThe outcome is not a performanc
 e but a residue — the trace of having remained present within an unresolve
 d problem.\n \nGESTURES/SITUATIONS: LISTENING WITHOUT A SCORE does not aim
  to redefine music.\nIt holds musical language in suspension in order to e
 xamine the conditions under which sound can still take place.\n \nGESTURES
 /SITUATIONS operates as a portable structure rather than a local expressio
 n.\nEach iteration reactivates the same problem in a different context.\nT
 he project does not translate cultures — it puts them under pressure.\n \n
 FROM 5 GESTURES TO GESTURES/SITUATIONS\nThe current format has developed f
 rom the original “5 GESTURES TOWARDS…” series at elektron.art art hall whe
 re between 2023 and 2025 the following artist duos met: Claudia Lepik\, Ma
 xim Mjödov\, Sveta Grigorjeva\, Mikhail Pashchuk\, Raul Keller\, Kärt Kopp
 el\, Laivi Suurväli\, Krõõt Juurak\, Marta Vaarik\, Gregor Kulla\, Jaan Ev
 art\, Hendrik Kaljujärv\, Riina Maidre\, Marto Mägi\, Kymbali Williams\, L
 iisamari Viik\, Viktoria Martjanova\, Maxim Nikanorov\, Kitty Florentine\,
  Grete Rattasepp and Arolin Raudva. In total 11 editions of “5 GESTURES TO
 WARDS…” took place and the last one was executed in collaboration with SAA
 L Biennaal festival organised by Kanuti Glildi SAAL. \nThe previous gestur
 es left unresolved questions that carry over into the upcoming GESTURES/SI
 TUATIONS. What kind of gesture is possible where forms are predetermined a
 nd resources are limited? What conditions are necessary for something new 
 to emerge?\nBased on the actions that took place\, it became clear that th
 is has evolved into a permanent yet open format for gestures - a stable ye
 t open structure that can emerge anew whenever the space\, the need\, and 
 the audience arise.\n \nAlissa Šnaider is an artist\, choreographer\, dram
 aturge\, and curator working across performance\, visual practices\, and d
 irecting.\nHer practice moves between choreography\, staging\, photography
 \, and writing. It approaches gesture not as expression\, but as an operat
 ion that reorganizes attention\, time\, and relations between bodies. Rath
 er than resolving forms\, her work constructs situations in which presence
 \, delay\, friction\, and exposure remain active.\nAlissa is the initiator
  of Gestures / Situations — an ongoing project that develops performative 
 situations structured around risk\, non-coordination\, and listening. The 
 project functions as a portable structure\, activated through minimal cons
 tellations of participants and context-specific gestures.\nHer visual work
  extends these situations by treating the image as a residue of action rat
 her than representation. Writing operates within her practice as a form of
  articulation and intervention\, accompanying processes without stabilizin
 g them.\nShe works internationally across artistic\, curatorial\, and dram
 aturgical contexts.\nhttps://www.snaider.ee/2 \n \nA public gesture is nei
 ther a finished performance nor a classical concert. It is the final momen
 t of a ten-day process—an opportunity to witness a situation that has aris
 en through the interaction of three participants and that cannot be repeat
 ed in exactly the same form.\n\nParticipating artists: Marianna Liik\, Lii
 sa Hõbepappel\, Artjom Astrov\, Kenn-Eerik Kannike\, Liis Vares\, Maryn-Li
 is Rüütelmaa\nDramaturge: Alissa Šnaider\nGraphic design: Jaan Evart\nCrea
 tive communication: Maria Solei Järvet\nCoproducer: Maria Hansar / Estonia
 n Centre of Contemporary Music\nProject manager: Annika Üprus\nSupporters:
  Estonian Cultural Endowment\, Tallinn\, Ulysses Platform - co-funded by t
 he European Union\nViews and opinions expressed are however those of the a
 uthor(s) only and do not necessarily reflect those of the European Union o
 r the European Education and Culture Executive Agency (ECEA). Neither the 
 European Union nor ECEA can be held responsible for them.
DTSTART:20261011T190000Z
DTEND:20261011T190000Z
GEO:+59.438641;+24.746958
LOCATION:Eesti Nüüdismuusika Keskus
ORGANIZER;CN=:mailto:info@eccm.ee
SEQUENCE:1
SUMMARY:GESTURES/SITUATIONS: LISTENING WITHOUT A SCORE:  LIISA HÕBEPAPPEL\,
  KENN-ERIK KANNIKE\, LIIS VARES
TRANSP:OPAQUE
URL:https://eccm.ee/index.php/en/eventseng/137-gestuurid-situatsioonid-ilma
 -partituurita-kuulamine-liisa-hobepappel-kenn-erik-kannike-liis-vares-2/20
 26-10-11-19-00?layout=vcal
END:VEVENT
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